You've shot log footage, you're staring at flat, washed-out clips, and you're wondering why everyone said this format was "better." Here's the thing, log footage looks terrible straight out of camera because it's designed that way. It captures maximum dynamic range at the expense of looking decent. I'll show you a dead-simple four-node workflow that transforms your muddy log clips into something actually watchable, without getting lost in the colorist rabbit hole.
DaVinci Resolve: 4-Node Color Grading for Beginners
Learn a dead-simple 4-node color grading workflow for DaVinci Resolve. Transform flat log footage into professional-looking video with white balance, curves, CST, and creative LUTs.
